Music That We Adore

Take a trip through the 60s, 70's and 80's Music, and relive all the songs and artists that marked an Era.

Best-Selling Artists

The Beatles - Elvis Presley - Michael Jackson - Frank Sinatra - Bing Crosby - ABBA - Julio Iglesias - Led Zepplin - Nana Mouskouri - Queen

Best-Selling Singles [Millions Sold]

White Christmas 50m- Candle in the Wind 33m- Silent Night 30m- Rock Around the Clock 25m- Diana 20m - We Are the World 20m- If I Didn't Care 19m- Rudolph the Red-Nosed Reindeer 18m- Yes Sir, I Can Boogie 18m

Great Song Lists

You will enjoy more discographies of artists on this blog than most other blogs.

Great Artists - Great Albums

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Showing posts with label The Zombies. Show all posts
Showing posts with label The Zombies. Show all posts

Thursday, May 28, 2020

The Zombies - Discography

The Zombies


Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for its era. Indeed, the Zombies' material -- penned by either Argent or guitarist Chris White, with unexpected shifts from major to minor keys -- was perhaps too adventurous for the singles market. To this day, they're known primarily for their three big hit singles, "She's Not There" (1964), "Tell Her No" (1965), and "Time of the Season" (1969). Most listeners remain unaware that the group maintained a remarkably high quality of work for several years.

The Zombies formed in the London suburb of St. Albans in the early '60s, and didn't actually entertain serious professional ambitions until they won a local contest, the prize being an opportunity to record a demo for consideration at major labels. Argent's composition "She's Not There" got them a deal with Decca, and the song ended up being their debut release. It was a remarkably confident and original first-time effort, with a great minor melody and the organ, harmonies, and urgent, almost neurotic vocals that would typify much of their work. It did well enough in Britain (making the Top 20), but did even better in the States, where it went to number two.