Doo Wop - Discography
Doo-wop is a genre of rhythm and blues music developed in the 1940s by African American youth, mainly in the large cities of the upper East Coast, including New York. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, ornamented with nonsense syllables, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Gaining popularity in the 1950s, doo-wop enjoyed its peak successes in the early 1960s, but continued to influence performers in other genres.
Although the musical style originated in the late 1940s and was wildly popular in the 1950s, the term "doo-wop" itself did not appear in print until 1961, in The Chicago Defender, just as the style's vogue was nearing its end. Though the name was attributed to radio disc jockey Gus Gossert, he did not accept credit, stating that "doo-wop" was already in use in California to categorize the music.
"Doo-wop" is itself a nonsense expression. In The Delta Rhythm Boys' 1945 recording, "Just A-Sittin' And A-Rockin", it is heard in the backing vocal. It is heard later in The Clovers' 1953 release "Good Lovin'" (Atlantic Records 1000), and in the chorus of Carlyle Dundee & The Dundees' 1954 song "Never" (Space Records 201). The first record to use "doo-wop" in the refrain was The Turbans' 1955 hit, "When You Dance" (Herald Records H-458). The Rainbows embellished the phrase as "do wop de wadda" in their 1955 "Mary Lee" (on Red Robin Records; also a Washington, D.C. regional hit on Pilgrim 703); and in their 1956 national hit, "In the Still of the Night," The Five Satins[6] enlivened the bridge with a plaintive "doo-wop, doo-wah."