Skyhooks [Aust] - Discography - 320kbps Bitrate

SKYHOOKS DISCOGRAPHY

In the mid-'70s, the Skyhooks shook and shaped Australian rock almost as much as the Beatles and Elvis Presley.

The glitter rock period of music did not sit well with Australian music, which is steeped in singers and bands having to be able to cut it in front of an audience. In the '70s, no self-respecting new Australian band would dare stand in front of an audience in make-up, glitter, and stacked heels and hope to be taken seriously. Melbourne's Skyhooks decided to parody that side of music rather than follow it. They dressed in an assortment of costumes, but what they wore had nothing to do with the music they performed, which was pure sex, drugs, and rock & roll, in songs that spoke about the world around them as it a was, right down to the names of the streets and suburbs the band and their audience came from. The songs, written by bassist Greg Macainsh, spoke louder than the costumes. Instead of being the intended parody the costumes only helped to separate Skyhooks from everything else happening in world and Australian rock.

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Lori Lieberman - Discography - 320kbps Bitrate

LORI LIEBERMAN - DISCOGRAPHY

Lori Lieberman (born November 15, 1951) is an American singer-songwriter who accompanies herself on guitar and piano. She first came to public attention in the early 1970s with a series of albums on Capitol Records, one of which featured the first recording of "Killing Me Softly with His Song". After a long gap, she resumed her recording career in the mid-1990s.

Lieberman began singing and composing at a young age, simultaneously acquiring a taste for French singers and songwriters as well as American rock and pop music. The latter passion was fed by an older sister who would return from trips to the U.S. with albums by Joni Mitchell, Judy Collins, Leonard Cohen and Jefferson Airplane.

Shortly after she returned to America to study in her late teens, Lieberman was signed to a production, recording and publishing deal struck between Capitol Records and songwriters Charles Fox and Norman Gimbel. Lieberman's contributions to the process were occasionally credited during this period of her career, most notably on "My Lover Do You Know" which appeared on her first album, 1972's Lori Lieberman, and which was singled out for praise by Billboard magazine.

In the gap between her first and second albums, "Killing Me Softly With His Song", a track from Lieberman's debut, was recorded by Roberta Flack – becoming a US No. 1 and international hit and rapidly overshadowing Lieberman's own, more understated original which had until that point been gaining traction on radio. Undeterred, Lieberman returned in 1973 with Becoming, her first album to achieve a placing on the Billboard Top 200.

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Freda Payne - Discography - 320kbps Bitrate

FREDA PAYNE DISCOGRAPHY

The multi-talented Freda Payne is best known for her singing career, yet she has also performed in musicals and acted in movies over the years, and was briefly the host of her own TV talk show. Born Freda Charcilia Payne on September 19, 1942, in Detroit, Michigan, Payne developed an appreciation of music at an early age (due to such sultry jazz singers as Ella Fitzgerald, Sarah Vaughan, and Billie Holiday). Payne's own musical career blossomed soon after, as she began early singing radio commercial jingles, which brought the young vocalist to the attention of several music-biz heavyweights. Berry Gordy, Jr. attempted to sign Payne to his then-burgeoning record company Motown, while Duke Ellington employed Payne as the featured singer with his renowned orchestra for two nights in Pittsburgh, resulting in Ellington offering the teenager a ten-year contract. But in both cases, Payne's mother turned them down.

After the Lights Go Down Low and Much More!!!

During the early to mid-'60s, Payne established herself as a fine jazz vocalist, touring the country with both Quincy Jones and Bill Cosby, and issuing a jazz/big band-based album in 1963, After the Lights Go Down Low and Much More!. In addition to a sophomore effort surfacing three years later, How Do You Say I Don't Love You Anymore, Payne enjoyed further exposure via appearances on such TV shows as Johnny Carson, David Frost, and Merv Griffin. But it wasn't until Payne signed on to the Invictus label in 1969 (headed by longtime friends/former Motown songwriters/producers Eddie Holland, Lamont Dozier, and Brian Holland) and issued the fine album Band of Gold that she scored her breakthrough hit single, the album's title track, which peaked at number three in the U.S. and topped the chart in the U.K. in 1970.

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Don McLean - Discography - 320kbps Bitrate

Don McLean Discography

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper. A long, winding elegy for rock & roll, "American Pie" spent four weeks on the Billboard charts but that smash success was eclipsed by its enduring afterlife in the culture, where it served as the fodder for nostalgia and parodies for decades, eventually earning entry into the National Recording Registry in 2017. So strong was the allure of "American Pie" that it suggested McLean only had one charting hit, which isn't true: its follow-up, "Vincent," peaked at 12, and throughout the '70s he was a mainstay on Billboard's adult contemporary charts, culminating in his final crossover hit in the form of a 1980 cover of Roy Orbison's "Crying." McLean faded from the charts not long after that, but he'd keep touring and recording all the way into the 2010s, relying as much on affection for his entire catalog as he did on "American Pie."

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The Sorrows - Discography - 320kbps Bitrate [Requested]

 The Sorrows Discography

A British band of the 1960s, the Sorrows had a short run of success in the United Kingdom before they experienced another burst of fame in Italy. The Sorrows started out playing tough, moody rock & roll with an R&B accent, and like many bands of the Beat era, elements of freakbeat and psychedelia would find their way into their music as the decade wore on, a process aided by the frequent personnel turnover during their later years. Though they only scored one major hit in the U.K., "Take a Heart," they would go on to enjoy a cult following that outstripped that of many of their contemporaries as their music retained a fresh approach. The group's sole album, 1965's Take a Heart, is a superior Beat era long-player, and 2021's Pink, Purple, Yellow & Red: The Complete Sorrows is an exhaustive summary of their full recorded legacy.

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Duran Duran - Discography - 320kbps Bitrate

Duran Duran - Discography 

Duran Duran epitomized the sleek, fashionable side of new wave, specializing in danceable, synthesized pop delivered with visual flair -- a talent crystallized in a series of groundbreaking music videos from the early 1980s. The group had the good fortune to deliver their debut album in 1981, the same year MTV began broadcasting, and their success was intertwined: Duran Duran gave the network clever, cinematic clips for "Rio" and "Hungry Like the Wolf," which MTV played ceaselessly, helping to turn the Birmingham, England-based band into global superstars. Between 1982 and 1985, the band were fixtures on the British and American charts, with "Is There Something I Should Know?," "Union of the Snake," "The Wild Boys" and the James Bond theme "A View to A Kill" reaching the Top Ten on both sides of the Atlantic. Unlike many of their new wave peers, Duran Duran managed to sustain a career that lasted for decades, withstanding a shifting lineup -- the duo of keyboardist Nick Rhodes and vocalist Simon Le Bon were the only two members to stay with the group throughout the years -- and changes in musical fashion. The group forged an alliance with Chic's Nile Rodgers for 1986's funky Notorious, then refashioned themselves as mature balladeers in 1993 and landed one of their biggest hits with "Ordinary World." The original lineup from the New Romantic era reunited for 2004's Astronaut, a move that helped revive the band's profile. Over the next decade, they collaborated with a number of prominent modern hitmakers, including Timbaland, Justin Timberlake, Mark Ronson, and Blur's Graham Coxon, who featured prominently on their 2021 album Future Past.

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Sweet - Discography - 320kbps Bitrate [UPDATED]

SWEET - Discography

In some ways, the Sweet epitomized all the tacky hubris and garish silliness of the early '70s. Fusing bubblegum melodies with crunching, fuzzy guitars, the band looked like a heavy metal band, but were as tame as any pop group. It was a dichotomy that served them well, as they racked up a number of hits in both the U.K. and the U.S. Most of those songs were written by Nicky Chinn and Mike Chapman, a pair of British songwriters who had a way with silly, simple, and catchy hooks. Chinn/Chapman and Sweet were smart enough to latch on to the British glam rock fad, building a safer, radio-friendly, and teen-oriented version of Queen, T. Rex, and Gary Glitter. By the end of the '70s, the group's time at the top of the charts had expired but their hit singles lived on not only as cultural artifacts, but also as the predecessors for the pop-metal of the '80s.

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The Everly Brothers [RIP] - Discography - 320kbps Bitrate

Sad News that Don Everly has passed away
22 August 2021

The Everly Brothers

The Everly Brothers were not only among the most important and best early rock & roll stars, but also among the most influential rockers of any era. They set unmatched standards for close, two-part harmonies and infused early rock & roll with some of the best elements of country and pop music. Their legacy was and is felt enormously in all rock acts that employ harmonies as prime features, from the Beatles and Simon & Garfunkel to legions of country-rockers as well as roots rockers like Dave Edmunds and Nick Lowe (who once recorded an EP of Everlys songs together).

Don (born February 1, 1937) and Phil (born January 19, 1939) were professionals way before their teens, schooled by their accomplished guitarist father Ike, and singing with their family on radio broadcasts in Iowa. In the mid-'50s, they made a brief stab at conventional Nashville country with Columbia. When their single flopped, they were cast adrift for quite a while until they latched onto Cadence. Don invested their first single for the label, "Bye Bye Love," with a Bo Diddley beat that helped lift the song to number two in 1957.

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The Spencer Davis Group - Discography - 320kbps Bitrate

The Spencer Davis Group

His ferocious soul-drenched vocals belying his tender teenage years, Stevie Winwood powered the Spencer Davis Group's three biggest U.S. hits during their brief life span as one of the British Invasion's most convincing R&B-based combos.

Guitarist Davis formed the band with Winwood on organ, his brother Muff Winwood on bass, and drummer Peter York. Signing on with producer Chris Blackwell, the quartet got their first hit (the blistering "Keep on Running") from another of Blackwell's acts, West Indian performer Jackie Edwards. After topping the British charts in 1965, the song struggled on the lower reaches of the U.S. Hot 100.

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ABBA - Discography - 320kbps Bitrate

ABBA

ABBA were a Swedish pop group formed in Stockholm in 1972 by members Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974 at The Dome in Brighton, UK, giving Sweden its first triumph in the contest, and are the most successful group ever to take part in the competition.

ABBA's record sales figure is uncertain and various estimates range from over 140 to over 500 million sold records. This makes them one of the best-selling music artists. ABBA was the first group from a non-English-speaking country to achieve consistent success in the charts of English-speaking countries, including the UK, Ireland, Canada, Australia, New Zealand, South Africa, and on a lesser scale, the U.S. The group also enjoyed significant success in Latin American markets, and recorded a collection of their hit songs in Spanish.

During the band's active years, Fältskog & Ulvaeus and Lyngstad & Andersson were married. At the height of their popularity, both relationships were suffering strain which ultimately resulted in the collapse of the Ulvaeus–Fältskog marriage in 1979 and the Andersson–Lyngstad marriage in 1981. These relationship changes were reflected in the group's music, with later compositions featuring more introspective and dark lyrics in contrast to their usual pure-pop sound.

After ABBA disbanded in December 1982, Andersson and Ulvaeus achieved success writing music for the stage, while Lyngstad and Fältskog pursued solo careers with mixed success. ABBA's music declined in popularity until the purchase of ABBAs catalogue and record company Polar by Polygram in 1989 enabled the groundwork to be laid for an international re-issue of all their original material and a new Greatest Hits (ABBA Gold) collection in the Autumn of 1992 which became a worldwide smash. Several films, notably Muriel's Wedding (1994) and The Adventures of Priscilla, Queen of the Desert (1994), further revived public interest in the group and the spawning of several tribute bands. In 1999, ABBA's music was adapted into the successful musical Mamma Mia! that toured worldwide. A film of the same name, released in 2008, became the highest-grossing film in the United Kingdom that year.

ABBA were honoured at the 50th anniversary celebration of the Eurovision Song Contest in 2005, when their hit "Waterloo" was chosen as the best song in the competition's history. The group was inducted into the Rock and Roll Hall of Fame in 2010

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