Paper Lace - Discography - 320kbps Bitrate

PAPER LACE

Formed in 1969 in Nottingham, England, and made up of Michael Vaughn, Chris Morris, Carlo Santanna, Cliff Fish, and Phillip Wright, Paper Lace was one of hundreds of pop bands in England looking for the big time while slogging their way through small club gigs and brief television appearances. Their big break came in 1974 when their version of the tear-jerking bubblegum tune "Billy, Don't Be a Hero" won top honors on Opportunity Knocks, a nationwide talent-show on ITV. They rode that song all the way to the top of the U.K. charts but were aced out of any sales in the U.S. by Bo Donaldson & the Haywoods' transcendent version. Their next single,"The Night Chicago Died," did manage to hit the number one slot on the U.S. charts (number three in the U.K.) and then that was it. The group released two albums, Paper Lace and Other Bits of Material in 1974 and First Editon in 1975, and did a quick fade from the public eye.

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Johnny Cash [RIP] - Discography - 320kbps Bitrate

Johnny Cash - Discography 

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history -- as he would later illustrate with his series of historical albums -- that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles.

Cash, whose birth name was J.R. Cash, was born and raised in Arkansas, moving to Dyess when he was three. By the time he was 12 years old, he had begun writing his own songs. He was inspired by the country songs he had heard on the radio. While he was in high school, he sang on the Arkansas radio station KLCN. Cash graduated from high school in 1950, moving to Detroit to work in an auto factory for a brief while. With the outbreak of the Korean War, he enlisted in the Air Force. While he was in the Air Force, Cash bought his first guitar and taught himself to play. He began writing songs in earnest, including "Folsom Prison Blues." Cash left the Air Force in 1954, married a Texas woman named Vivian Leberto, and moved to Memphis, where he took a radio announcing course at a broadcasting school on the GI Bill. During the evenings, he played country music in a trio that also consisted of guitarist Luther Perkins and bassist Marshall Grant. The trio occasionally played for free on a local radio station, KWEM, and tried to secure gigs and an audition at Sun Records.

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Ritchie Valens [RIP] - Discography - 320kbps Bitrate

Ritchie Valens

Born: May 13, 1941 - Died: February 3, 1959

R.I.P.

The first Hispanic rock star, Ritchie Valens will forever be known as one of the two musicians (along with the Big Bopper) who perished with Buddy Holly in 1959, when their private plane crashed in the midst of a Midwest tour. At the time, Valens had only recently established himself as one of the most promising young talents in rock & roll, just barely missing the top of the charts with "Donna," a number two hit, and pioneering a blend of rock and Latin music with the single's almost equally popular flip side, "La Bamba." Like many rock stars who died prematurely, it's difficult to assess his unrealized potential; he was only 17 at the time of his death, and had just barely begun to make records. Nevertheless, Valens' music has endured for decades.

Ricardo Esteban Valenzuela Reyes was raised in a Mexican-American household in the San Fernando Valley. He played several instruments as a child and eventually devoted most of his focus to the guitar, learning a right-hand version of the guitar despite his own left-handedness. Valens' musical influences were diverse, running the gamut from Little Richard and rockabilly to traditional Mexican genres like mariachi, and his talent on the guitar earned him a spot in a local band, the Silhouettes, when he was 16. Valens eventually became the band's frontman. While playing at a local movie theater in 1958, he was discovered by producer Bob Keane, who signed Valens to his Del-Fi label and convinced him to shorten his surname to "Valens," claiming the abbreviated version had broader appeal than "Valenzuela." Under Keane's wing, Valens entered a Los Angeles recording studio in July and emerged with "Come on Let's Go," which climbed to number 42 on the national charts.

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Connie Francis - Discography - 320kbps Bitrate

CONNIE FRANCIS

Connie Francis is the prototype for the female pop singer of today. At the height of her chart popularity in the late '50s and early '60s, Francis was unique as a female recording artist, amassing record sales equal to or surpassing those of many of her male contemporaries. Ultimately, she branched into other styles of music -- big band, country, ethnic, and more. She still challenges Madonna as the biggest-selling female recording artist of all time. Like Madonna, Concetta Rosemarie Franconero came from an Italian-American background. Francis started her music career at three, playing an accordion bought for her by her contractor father, George. Her father's dream was not for his daughter to become a star, but for Francis to become independent of men as an adult with her own accordion school of music. At age ten, she was accepted on Startime, a New York City television show that featured talented child singers and performers. The show had no one else who played an accordion. Its host, legendary TV talent scout Arthur Godfrey, had difficulty pronouncing her name and suggested something "easy and Irish," which turned into Francis. After three weeks on Startime, the show's producer and Francis' would-be manager advised her to dump the accordion and concentrate on singing. Francis performed weekly on Startime for four years.

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Peter Sarstedt [RIP] - Discography - 320kbps Bitrate

PETER SARSTEDT 

Born: 10 December 1941 – Died: 8 January 2017
R.I.P.

Peter Eardley Sarstedt (10 December 1941 – 8 January 2017), briefly billed early in his career as Peter Lincoln, was a British singer, instrumentalist, and songwriter. He was the brother of musicians Eden Kane and Clive "Robin" Sarstedt.

Although his music was classified as pop, it generally encompassed ballads derived from traditional folk music rather than traditional rock and roll. He was best known for writing and performing the song "Where Do You Go To (My Lovely)?", which topped the UK Singles Chart in 1969. Set to a "faux European waltz tune" and described as "a romantic novel in song", it won an Ivor Novello Award. The record remained Sarstedt's biggest hit, despite his releasing numerous successful albums and singles from the late 1960s onward.

He continued to tour throughout the 1980s, 1990s, and 2000s, mainly in 1960s revival-type shows, until his retirement in 2010 due to ill health. 

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Clout - Discography - 320kbps Bitrate

CLOUT

Clout was a South African million-selling all-girl group formed in 1977.

Clout’s first and biggest hit, “Substitute”, was a new arrangement of a Righteous Brothers song, composed by Willie Wilson.

In 1978, their version reached No. 1 in South Africa, Australia, New Zealand, Germany, France, the Netherlands, Sweden, Austria, Denmark and Belgium. It also reached No. 2 on the UK Singles Chart and remained in the UK charts for 15 weeks.

In 1981 the band split, after confirmed rumours that the band didn’t play any instruments on their recordings, this was all done by a male band called Circus.

After a lengthy hiatus, frontwoman Cindy Alter joined forces with local musicians to form a new band “Cindycate”, with the sole purpose of writing and recording original material.

“Cyndicate” had enormous potential but Cindy decided to take a personal break.

In 2002, Cindy was approached by an agent in South Africa who wanted to reunite Clout for a series of shows.

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Steve Miller Band - Discography - 320kbps Bitrate

STEVE MILLER BAND 

Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s, and one of the top-selling pop/rock acts of the mid- to late '70s. His first recordings established his early style as a blues-rocker influenced but not overpowered by psychedelia. Then, in 1973, Miller's reinvention as a blues-influenced pop/rocker who wrote compact, melodic, catchy songs, led to platinum success for The Joker and a number one hit for its title track. Three years later, Fly Like an Eagle eclipsed its predecessor in terms of quality and sales. In the early '80s he briefly took on a new wave tinge, and even topped the charts with the synthy "Abracadabra," before returning once more to his blues-rock roots.

Miller was turned on to music by his father, who worked as a pathologist but knew stars like Charles Mingus and Les Paul, whom he brought home as guests; Paul taught the young Miller some guitar chords and let him sit in on a session. Miller formed a blues band, the Marksmen Combo, at age 12 with friend Boz Scaggs; the two teamed up again at the University of Wisconsin in a group called the Ardells, later the Fabulous Night Trains. Miller moved to Chicago in 1964 to get involved in the local blues scene, teaming with Barry Goldberg for two years.

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