Buffalo Springfield - Discography - 320kbps Bitrate

BUFFALO SPRINGFIELD 

Buffalo Springfield's time was short -- they formed in 1966 and split in 1968 -- but their legacy was vast. Some of their legend was cultivated in the ensuing decades, after founding members Richie Furay, Stephen Stills, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas, but much of it rested upon "For What It's Worth," a protest song written and sung by Stills, that not only became their Top Ten breakthrough in 1967 but their enduring anthem, eventually serving as shorthand for all the political turmoil of the 1960s. So popular was "For What It's Worth," it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles. Buffalo Springfield Again, their 1967 masterwork, in particular showcased the group's expansive reach, and if that musicality didn't result in hits -- they never again cracked the Top 40 after "For What It's Worth" -- it certainly laid the groundwork for many aspects of the album rock of the 1970s.

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Dave Dee, Dozy, Beaky, Mick & Tich - Discography - 320kbps Bitrate

Dave Dee, Dozy, Beaky, Mick & Tich

Hook-laden tunes transformed Salisbury, Wiltshire, England-based quintet Dave Dee, Dozy, Beaky, Mick & Tich into one the United Kingdom's top pop bands of the mid-'60s. Performing songs by their managers Ken Howard and Alan Blaikley, the group scored with such Top Ten U.K. hits as "Hold Tight," "Hideaway," "Bend It," "Save Me," "Okay," "Zabadak," "Last Night in Soho," and the chart-topper, "Legend of Xanadu." Formed as Dave Dee & the Bostons, Dave Dee, Dozy, Beaky, Mick & Tich were led by vocalist Dee (born: David Harman), an ex-policeman who had been at the scene of the automobile accident that took the life of American rocker Eddie Cochran and injured Gene Vincent in April 1960. Dee had taken Cochran's guitar from the accident and held it until it could be returned to his family. Although they were among the many British bands who honed their skills while performing in Hamburg, Germany, Dave Dee, Dozy, Beaky, Mick & Tich were one of the first to tour the United Kingdom with established acts. Shortly after moving to London in 1965, the group hooked up with Howard and Blaikley. With the group disbanding in 1969, Dee recorded a minor hit as a soloist before turning his attention to producing. He briefly reunited with the band in 1974 and again in the early '80s. He recorded a single, "Staying with It" b/w "Sure Thing" in 1983.

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Small Faces - Discography - 320kbps Bitrate

Small Faces

Small Faces were the best English band never to hit it big in America. Outside Europe, all anybody remembers them for is their sole hit, "Itchycoo Park," which was hardly representative of their psychedelic sound, much less their full musical range -- but in England, Small Faces were one of the most extraordinary and successful bands of the mid-'60s, serious competitors to the Who and potential rivals to the Rolling Stones.

Lead singer/guitarist Steve Marriott's formal background was on the stage; as a young teenager, he'd auditioned for and won the part of the Artful Dodger in the Lionel Bart musical Oliver! Marriott was earning his living at a music shop when he made the acquaintance of Ronnie Lane (bass, backing vocals), who had formed a band called the Pioneers, which included drummer Kenney Jones. Lane invited Marriott to jam with his band at a show they were playing at a local club -- the gig was a disaster, but out of that show the group members decided to turn their talents toward American R&B. The band -- with Marriott now installed permanently and Jimmy Winston recruited on organ -- cast its lot with a faction of British youth known as the mods, stylish posers (and arch enemies of the leather-clad rockers, sometimes with incredibly violent results) who, among their other attributes, affected a dandified look and a fanatical embrace of American R&B. The quartet, now christened Small Faces ("face" being a piece of mod slang for a fashion leader), began making a name for themselves on-stage, sparked by their no holds barred performance style. Marriott had a uniquely powerful voice and was also a very aggressive lead guitarist, and the others were able to match him, especially Jones, who was a truly distinctive drummer.

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Lou Rawls [RIP] - Discography - 320kbps Bitrate

LOU RAWLS 

Born: December 1, 1933 - Died:January 6, 2006
R.I.P.

From gospel and early R&B to soul and jazz to blues and straight-up pop, Lou Rawls was a consummate master of vocal music whose versatility helped him adapt to the changing musical times over and over again while always remaining unmistakably himself. Blessed with a four-octave vocal range, Rawls' smooth, classy elegance -- sort of a cross between Sam Cooke and Nat King Cole -- permeated nearly everything he sang, yet the fire of his early gospel days was never too far from the surface. He made his name as a crooner, first by singing jazz standards, then by moving on to soul in the mid-'60s, capped off by the most commercial phase of his career: a productive stint at Philadelphia International during the latter half of the '70s. Even after his days as a chart presence were over, Rawls remained a highly visible figure on the American cultural landscape, pursuing an acting and voice-over career in addition to his continued concert appearances, and doing extensive charity work on behalf of the United Negro College Fund.

Louis Allen Rawls was born in Chicago on December 1, 1933 and was raised on the city's south side by his grandmother. He sang in the choir at his Baptist church starting at age seven, and became interested in popular music as a teenager by attending shows at the Regal Theatre, with genre-crossing singers like Joe Williams, Arthur Prysock, and Billy Eckstine ranking as his particular favorites. Rawls also tried his hand at harmony-group singing with schoolmate Sam Cooke, together in a gospel outfit called the Teenage Kings of Harmony. Rawls moved on to sing with the Holy Wonders, and in 1951 replaced Cooke in the Highway Q.C.s. In 1953, when Specialty recording artists the Chosen Gospel Singers swung through Chicago on tour, they recruited Rawls as a new member; he made his recording debut on a pair of sessions in early 1954. He later joined the Pilgrim Travelers, but quit in 1956 to enlist in the Army as a paratrooper; upon his discharge in 1958, he returned to the Travelers and embarked on a tour with Cooke. It nearly cost Rawls his life -- during the Southern leg of their tour, the car Rawls and Cooke were riding in crashed into a truck. Cooke escaped with minor injuries, but another passenger was killed, and Rawls was actually pronounced dead on the way to the hospital; as it turned out, he spent five and a half days in a coma, did not regain his full memory for another three months, and took an entire year to recuperate.

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Lana Cantrell [Australian Artist] - Discography - 320kbps

LANA CANTRELL 

A 1960s and '70s pop singer fluent in Broadway standards as well as AM pop hits, Lana Cantrell was born in Sydney, Australia. She was exposed to music at an early age, since her father was a jazz musician. Cantrell made her singing debut at the age of ten, and by her teens she had become a well-known TV personality in Australia. At 19 she traveled to the United States to do everything "humanly possible," which meant trying her hand in film and on-stage.

Cantrell moved to the United States in the early '60s, but her career began slowly in America. Finally, her personal vocal style began to shine through. She began performing on the nightclub and television circuit, and made a name for herself in the recording industry with a series of albums for RCA Victor during the late '60s.

Besides being a singer, Cantrell also spent time as an athlete. She was once the table-tennis champion of New South Wales, and her other interests have included yoga.

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Brotherhood Of Man - Discography - 320kbps - Bitrate

Brotherhood Of Man

The Brotherhood of Man ranks among the United Kingdom's most successful pop groups of all time, their long career spreading across two very separate incarnations of the band, together with a string of highly infectious hit singles that carried the group through much of their first decade together, and success at the 1976 Eurovision Song Contest. The original Brotherhood of Man was formed by record producer and songwriter Tony Hiller in 1969, specifically to record a song he had recently written with vocalist John Goodison, titled "Love One Another." The original lineup comprised Goodison, fellow songwriter Roger Greenaway (better known as the songwriting partner of Roger Cook), and session vocalists Tony Burrows, Sue Glover and Sunny Leslie, the latter were already established as the duo Sue & Sunny.

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Barry McGuire - Discography - 320kbps Bitrate

BARRY McGUIRE 

Along with Bob Dylan's emergence came countless other folk-based "protest singers" in the early to mid-'60s, including Barry McGuire. Born in Oklahoma City during 1935, McGuire had relocated to New York City and joined up with folk revivalists the New Christy Minstrels by the early '60s. He was anointed the band's lead singer and appeared on several albums and their first hit single, "Green, Green" (which was co-penned by McGuire). Soon after, however, McGuire caught the attention of both record producer Lou Adler and singer/songwriter P.F. Sloan, resulting in the guitarist/singer leaving the New Christy Minstrels and launching a solo career, signing on with Adler's Dunhill Records. McGuire's solo debut, The Barry McGuire Album, was released in 1963, but it wasn't until two years later that McGuire scored a massive hit with the Sloan-penned track "Eve of Destruction," which topped the U.S. charts (peaking at number three in the U.K.) and was taken from his sophomore full-length, Barry McGuire Featuring Eve of Destruction. McGuire became good friends with another Adler-guided outfit, the Mamas & the Papas (who mentioned him in some of their song lyrics), while further solo albums were issued, including This Precious Time and The World's Last Private Citizen, but none spawned any singles as successful as "Eve." By the early '70s, McGuire had turned his back on folk music and he re-appeared as a Christian/gospel artist, signing on with the Myrrh label and issuing such standout albums as 1973's Seeds, 1975's Lighten Up, and a live recording, 1982's To the Bride, among countless others. McGuire put his music career on hold and moved to New Zealand in the mid-'80s with his wife, where they remained until 1990, working with the poverty organization World Vision. Upon his return, McGuire began issuing albums once more, including such titles as El Dorado, Let's Tend God's Earth, Adventures on Son Mountain, and Journey to Bible Times, before teaming up with another gospel singer/guitarist, Terry Talbot, to form an outfit called Talbot McGuire.

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Lena Martell - Discography - 320kbps Bitrate

 LENA MARTELL

Lena Martell (born Helen Thomson; 15 May 1940, Possilpark, Glasgow) is a British singer, with a long career in theatre, television and musicals. She has recorded thirty albums which include the number one UK single with "One Day at a Time" in 1979.[1]

She began singing at the age of 11 with her eldest brother's band. She became a singer for the Jimmie McGregor Band at the Barrowland Ballroom, Glasgow. After his untimely death, she decided to pursue a career in music as a tribute.[2] She released a number of standards in the 1970s on the Pye record label, drew crowds at cabarets and concert halls and became a major recording star with silver, gold and platinum awards. Her cover of the song "One Day at a Time", written by Marijohn Wilkin and Kris Kristofferson, reached the top of the UK Singles Chart for three weeks in November 1979.[1] She placed six albums in the UK Albums Chart between 1974 and 1980, including four that reached the Top 20.[3]

In the 1970 and 1980s her Saturday Night TV shows for BBC Television ran over a period of ten years, with evening audiences of over 12 million. Moving to the US she sang in New York and Las Vegas with Frank Sinatra, Sammy Davis Jr. and others and toured the world performing in concert halls. She has starred in musicals in Broadway, first when deputising for Barbra Streisand, and headlining in London`s West End theatres. Her successes at London Palladium equalled the box office of Shirley MacLaine and Bette Midler.

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Cilla Black [RIP] - Discography - 320kbps Bitrate

Cilla Black

Born: May 27, 1943 - Died: August 1, 2015
R.I.P.

Who was the second biggest-selling music star to come out of Liverpool after the Beatles? It wasn't Gerry & the Pacemakers or Billy J. Kramer & the Dakotas, nor was it the Searchers. It was Cilla Black, a onetime coat-check girl from the Cavern Club who was still learning to sing with confidence, forget developing a technique, just about the time that the Beatles were cutting their first EMI record.

Cilla Black holds a unique position in the history of pop music, and the British Invasion. As Brian Epstein's discovery and protégée, she was the first and only important female performer to emerge from Liverpool in the heyday of the British beat boom. In conjunction with Epstein's management and George Martin's production skills, she became a formidable ballad singer, her hits lasting longer than any Epstein clients other than the Beatles. And she became one of the most beloved pop/rock performers in England during the late '60s and '70s, and one of the country's most popular television stars.

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Larry Finnegan [RIP] - Discography - 320kbps Bitrate

LARRY FINNEGAN 

Born: August 10, 1938 - Died: July 22, 1973
R.I.P.

Finnegan nearly reached the Top 10 in 1962 with a single called ‘Dear One’, but never had another hit. Having studied several instruments in his youth, Finnegan and his brother Vinnie co-wrote the song that would put him on the charts in 1961. He recorded a demo of the song on his own and took it to Hy Weiss of Old Town Records, who then signed him. The up-tempo country song ultimately reached number 11 in early 1962, but follow-up attempts failed, and in 1966 Finnegan moved to Sweden, where he started his own record label, Svensk-American. He then moved on to Switzerland and came back to the USA in 1970, where he died of a brain tumour in 1973.

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