Music That We Adore

Take a trip through the 60s, 70's and 80's Music, and relive all the songs and artists that marked an Era.

Best-Selling Artists

The Beatles - Elvis Presley - Michael Jackson - Frank Sinatra - Bing Crosby - ABBA - Julio Iglesias - Led Zepplin - Nana Mouskouri - Queen

Best-Selling Singles [Millions Sold]

White Christmas 50m- Candle in the Wind 33m- Silent Night 30m- Rock Around the Clock 25m- Diana 20m - We Are the World 20m- If I Didn't Care 19m- Rudolph the Red-Nosed Reindeer 18m- Yes Sir, I Can Boogie 18m

Great Song Lists

You will enjoy more discographies of artists on this blog than most other blogs.

Great Artists - Great Albums

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Thursday, July 30, 2020

Bobby Rydell - Discography - 320kbps

Bobby Rydell

Rydell first took the stage as a professional drummer at the age of 9. A polished performer by the age of 19, he was the youngest person ever to headline the famous Copacabana in New York. Bobby’s recording career earned him 34 Top 40 hits, placing him in the Top 5 artists of his era (Billboard Magazine). Bobby’s hits include million selling singles Volare, Wild One, We Got Love, Kissin’ Time, Swingin’ School, Wildwood Days, and Forget Him, selling a combined total of over 25 million records.

Tuesday, July 28, 2020

Peter Green - Discography - 320kbps - Updated

Born: October 29, 1946 - Died: July 25, 2020
Peter Green was regarded by some fans as the greatest white blues guitarist ever, Eric Clapton notwithstanding. Born Peter Greenbaum but calling himself Peter Green by age 15, he grew up in London's working-class East End. Green's early musical influences were Hank Marvin of the Shadows, Muddy Waters, B.B. King, Freddie King, and traditional Jewish music. He originally played bass before being invited in 1966 by keyboardist Peter Bardens to play lead in the Peter B's, whose drummer was a lanky chap named Mick Fleetwood. The 19-year-old Green was with Bardens just three months before joining John Mayall's Bluesbreakers, whose rapidly shifting personnel included bassist John McVie and drummer Aynsley Dunbar. A keen fan of Clapton, Green badgered Mayall to give him a chance when the Bluesbreakers guitarist split for an indefinite vacation in Greece. Green sounded great and, as Mayall recalls, was not amused when Clapton returned after a handful of gigs, and Green was out.

2004 Peter Green - Man of the World_ The Anthology 1968-1988
CD01 - CD02

Peter Green's Fleetwood Mac - The Lost Broadcasts

01 - Sweet Little Angel
02 - Bee-I-Bicky-Bop Blue Jean Honey Babe Meets High School Hound Dog Hot Rod Man
03 - Where You Belong
04 - Mean Old World
05 - Please Find My Baby
06 - Black Magic Woman
07 - Peggy Sue Got Married
08 - That Ain’t It
09 - Intergalactic Musicians Walking on Velvet
10 - Dead Shrimp Blues
11 - Sheila
12 - Evenin’ Boogie
13 - You Need Love
14 - Talk With You
15 - Bo Diddley
16 - Wine Whiskey and Women
17 - Crutch and Cane
18 - If You Be My Baby
19 - Without You

Sunday, July 26, 2020

The Robins - Discography - 320kbps

Los Angeles vocal group the Robins are best remembered today as the forerunner of the Coasters, though their own record of hits was substantial in its own right. What's more, their history is a lot more complicated than most fans of the Coasters are aware, and can be divided into two key phases. The Robins' roots go back to Alameda High School in San Francisco, in 1945. That year, tenor Terrell Leonard (aka Ty Terrell) joined with baritone siblings Billy Richards and Roy Richards to form what was known originally as the A-Sharp Trio, doing repertoire that showed the distinct influence of the Golden Gate Quartet, the Nat King Cole Trio, and the Delta Rhythm Boys, among other established harmony groups of the period. They moved to Los Angeles and found lots of work in the area around Watts, but their first break came when they placed second in a competition at the Barrelhouse Club, owned by bandleader Johnny Otis, who hired them to perform on weekends. It was at the Barrelhouse Club that they crossed paths with bass/baritone Bobby Nunn, who did odd jobs around the place in between singing, waiting for his break. That moment came when Otis thought to turn the trio into a quartet, and see if they couldn't cut in on some of the audience that was coalescing around the rival group the Ravens.